We sent our very own Danielle Carter to the opening of a brand new museum of modern and contemporary art in Wassenaar; the Museum Voorlinden. Here’s her thoughts:
Wassenaar is mostly known across the Netherlands as the classy town that houses the royal family. Now a chic, new neighbour is garnering attention for this little town that sits between Leiden and the Hague: the Museum Voorlinden, which opened its doors to the public yesterday on the 11th of September.
The Museum Voorlinden is nestled among cosy suburban houses, puddles of lavender and dandelions, and a sprawling green oasis. The modern and contemporary art collection is the new project of Wim Pijbes, the former director (2008-2016) of the Rijksmuseum, which Pijbes famously guided through its arduous renovation. After an admirable tenure at the state-owned and -funded public Dutch Golden Age-centric museum, this switch to a privately-owned modern and contemporary art museum is surely a new challenge for the director, whose campaigns at the Rijksmuseum also included opening the museum further to the public with efforts such as uploading the collection online.
Like many modern and contemporary art museums, the Museum Voorlinden embraces plain white walls and minimal contextual information; however, this museum encourages a narrative in the way that it is organised and fosters a flow to the museum visit through the museum guidebook, which directs the visitors through the spaces in an ordered sequence and pairs together artworks that seem to have conversations with one another. This was particularly evident with Sherrie Levine’s (2011) Monochromes After Seurat: 7-12 and Andy Warhol’s (1986) Camouflage and, perhaps more overtly so, with Magritte’s (1931) La Malédiction and Marcel Broodthaers’ (1966) La Malédiction de Magritte. The army green hues in Levine’s Monochromes seem to directly echo Warhol’s Camouflage, which stands across from Levine’s work in the exhibition hall like a mirror, giving the entire room a feeling of wholeness and completeness. In a similar fashion, Magritte’s and Broodthaer’s works face one another from opposite walls, almost as if Broodthaer’s sculpture were greeting its original inspiration.Overall, the Museum Voorlinden is an excellent option for a short day trip from Amsterdam for lovers of modern and contemporary art, as well as those looking for a small quiet getaway from the city. It is approximately one and a half hours distance from Amsterdam’s city centre. To reach it, take the train from Amsterdam Central Station to Den Haag Centraal and bus 43 from platform G. After 8 stops, get off the bus at Wittenburgerweg and you will have a quaint fifteen to twenty minute stroll down the Zijdeweg and Buurtweg to reach the museum. The entrance is slightly less pedestrian-friendly than Amsterdam (cars, bikes, and pedestrians all share the path leading to the museum—and there are many more cars here than in Amsterdam), so be aware.
You can purchase a ticket online or at the museum in person. Tickets are €15 each for adults (please note that the Museumkaart is not valid) and you can choose to book your ticket for the morning (10.00-13.00) or the afternoon (13.00-17.00). You can also find more information about the sculpture garden at the Clingenbosch estate—and book a tour—on the Museum Voorlinden website.